![]() Shedding the established traditions and procedures of his commercial work practice, McCormick limited the amount of preparatory sketching, and planned only the general idea of each photo, allowing each of the photographs to take on a separate life, unfolding in a through-composed storyline. In, perhaps a divine sense of fate, each piece had a minimal predetermined direction at inception, and the connection (or purposeful disconnect) was often only discovered or understood after the photograph was finished. Throughout his process, the connection to these cultures illuminated itself wholly in the revelation that McCormick’s life as a musician, poet, and artist was reflective of the story of Orpheus. This sparked an exploration of the parallel between the art, as it was revealing itself, and the grandiose mythologies emblazoned on the world’s memories and creations. In early stages of the work, McCormick immersed himself in the folklore of Greek, Slavic, and Mayan cultures. The process of combining digital and film photography has allowed the artist to prospect a “prophecy-of-self” through his time spent learning. The intricate composite images - sometimes utilizing over 600 photographs immixed together - achieve a sense of silent frenzy. Utilizing both digital compositing and film photo techniques, combined with his own large, custom-built sets, expansive props, and headdresses, each image is a complex orchestration of divergent elements and techniques. Mining the subject matter, compositional geometry, and visual aesthetic of 19 th century French academic painters like Bouguereau, Cabanel, and Tissot, McCormick’s epic work defines an emerging and innovative photographic style. “Orpheus” is the culmination of a year and a half of work from artist Scott McCormick. Ryan Warner, public radio journalist, Denver, CO McCormick brings balance to chaos and finds structure in the organic. Handmade headdresses philander with painted backdrops, digital & analog photography, double exposure, and human models caked in clay. Each subsequent piece swims in meaning and technique. ![]() ![]() The first piece that jumped out at me was an Esther Williams fever dream of bodies swimming in blackness. Scott McCormick’s “Orpheus” is an orgy of mythology, dendrology, and geometry. ![]()
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